Like any other item that can be protected by copyright, a work of art is protected by copyright if it is attached in a tangible form (such as a painting, sculpture, or drawing).

When I teach students, I often find them complaining of stress about imagining and drawing things they cannot see. This is very natural. Even well-trained artists find it difficult to draw what they can't see. So, I sometimes look at photos and draw for reference about certain movements or special situations. This is true for artists, but young students will face even greater difficulties. So I search the Internet, look at photos or other people's drawings, and draw. Of course, this is okay when practicing. In fact, my drawing skills improve a lot by imitating other artists’ paintings. But what if you were trying to sell a painting or entered a contest? In these cases, we face the issue of copyright.

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If we want to draw from a photo, we must first find out who took it and if it has copyright on it. Therefore, if you can't find out who created it, don't use it. You cannot take someone's photo and draw straight from it, especially if it has copyright.

Copyright protects an author's original work that is "fixed" by permanent or semi-permanent means. Therefore, if you want to view, draw or use a copyrighted photo or illustration, you must obtain permission from the author.

The scope of copyright gives people a lot of confusion. So, we looked into what falls under the scope of copyright.

​What is protected by copyright?
Copyright law protects original works of authorship that are fixed in a tangible medium of expression. This includes literary works, music, paintings, photographs, and more. Essentially, it covers any creative expression that is captured in a physical or digital form.

The concept of "Fair Use":
Copyright law also includes the concept of "fair use," which allows limited use of copyrighted material without permission for purposes like criticism, commentary, news reporting, education, and research. However, there are specific guidelines and limitations on what qualifies as fair use, and it's a complex and often subjective area of law. Generally, using copyrighted material for commercial purposes, like selling your artwork, is less likely to qualify as fair use.

Using reference materials:
When you use copyrighted photographs or other visual materials as references for your artwork, it can potentially infringe on the original creator's copyright. This is especially true if you're creating artwork for commercial purposes. To address this, you should ideally seek permission from the copyright holder to use their work as a reference. This may involve obtaining a license or paying a fee.

Derivative works:
Creating derivative works, like a painting based on a copyrighted photograph, is another aspect to consider. In some cases, you may be able to create derivative works if you have the appropriate permissions. However, simply imitating another artist's work closely, even without direct copying, can sometimes raise copyright concerns.

Public domain and Creative Commons:
Some works are in the public domain, which means they are not protected by copyright and can be freely used. Additionally, some creators offer their work under licenses like Creative Commons, which specify how their work can be used with certain conditions.

Obtaining permission:
If you want to use copyrighted material as a reference for your artwork in a way that doesn't fall under fair use, it's best to contact the copyright holder to seek permission. This could involve reaching out to the photographer or illustrator and negotiating the terms, including any fees or royalties.

Documentation:
When using reference materials, especially if you have obtained permission, it's a good practice to document and credit the original source. This not only gives proper recognition to the original creator but can also serve as evidence of your good faith efforts to comply with copyright law.

It's essential to be aware of copyright laws and their implications, especially when creating and selling artwork. When in doubt, seeking legal advice from an intellectual property attorney is advisable to ensure that you are complying with copyright regulations while pursuing your artistic endeavors.

HOW DO I KNOW IF MY WORK IS ORIGINAL?

An original work is one that is new and different from what others have created. This means that you are the author of the work, and the work is not copied from someone else’s original work. Even if there is no exact or literal copying, but the average person may notice substantial similarities between the entered work and the source material, it is possible that the work will not be considered original and should not be entered into the Awards. At this time, we do not consider any work you create using AI tools or that incorporates content generated by AI tools to be your original work.

We understand that artists and writers sometimes create work that references other artists, writers, and popular culture in original and meaningful ways. If your work transforms some sort of source material, then it may be considered original.
We define transformative work as a new work that adds value, substantially changes, comments on, or gives a new expression or meaning to the source. If the entry uses another artist or writer’s work as raw material and transforms the original work by bringing new insights and understandings to the piece, it may be entered into the Scholastic Awards.

Here are some examples of work that should not be entered:

• A pencil drawing that directly copies a portrait that was taken by another artist or a piece of writing that simply rearranges the words of someone else’s writing is NOT transformative.
• Changing the medium or visual style of another artist’s work is NOT considered transformative. For example, a painting or drawing of a photograph taken from the internet or a magazine is not considered original and should not be entered to the Scholastic Awards.
• Creating a painting or digital artwork based on a photo that was taken by someone else, or creating a poem by rearranging the lyrics to a song—does NOT make the work transformative.
• Cropping or resizing an image that a friend created or that you found on the internet does NOT make the work transformative.
• Changing the order of the lines in a poem or adding a few words to a sentence written by another author is NOT transformative.
• Fan art (such as a painting or drawing of an actor, musician, or preexisting character) or fan fiction is NOT considered original work and should not be entered. 
• A critical essay that copies or paraphrases passages from another piece of writing without citing the source is NOT original work. Paraphrasing, which is restating text by another writer using other words, does NOT make the work transformative.
• Even if you have permission to use a work or if the work is in the public domain, the work that you submit to the Scholastic Awards must represent a new, original work.
• AI-generated art and writing.

These examples are simply for guidance and they are not meant to represent all instances of non-transformative work.
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The easiest solution to avoiding copyright infringement when painting from photos is to take your own photos. Not only do you not run any risk whatsoever of copyright infringement, but you have complete creative control over the entire artistic process, which can only benefit your art-making and painting.

  Recently, I published a children's book on Amazon Kindle under the name Hello my Robin. This book is made with 15 pages of watercolor drawings. It took a total of 4 months to create this book, including storyboarding, drawing, writing, and editing.

  Recently, I completed a small still life painting in 6 by 9 inches. This painting shows how a still life can be painted in watercolor without sketching.

Today, I would like to share the process of making a golden mask by coating gold foil on a face mask made using recycled newspaper.

Below is the finished look. 

For reference, the site below shows the process of how to make a mask out of newspaper.
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  ​As I showed in the previous post, if you put a mask made of newspaper porridge in the boiler room, it will dry completely in about a day.

  Obviously, it was heavy and soft when it was made with glue porridge in newspaper, but after it was completely dried, it became a hard and light mask.

 ​Prepare the material to coat the mask with gold foil.

  ​First, apply adhesive solution to attach the gold foil. This solution is included in the gold foil making kit.

  ​Paste it carefully as shown below.

  ​Then I put cubic tape on it like a tattoo.

  ​At this time, the attached gold foil is very light and easy to fly. Therefore, the solution below must be diluted with water and sprayed to adhere perfectly to the object.

  ​A wonderful golden mask was completed in no time. Choose the decoration you want to decorate like below.

 ​Adjust the angles around and finally select the location.

  ​This is the finished look.

  ​Today, I would like to share with my child the process of collecting old newspapers and making face masks.

  ​At this time, the mask we are talking about here means a mask used as part of a masquerade or traditional culture as shown below, not the medical mask we used during the pandemic.

  ​First, shred the newspaper to be recycled into small pieces and soak them in water. I soaked it in water for a day or so.

 Then add a cup of flour to about 300cc of water and boil it to make it like glue paste.  ​Then mix the porridge with the soaked newspaper.

  ​Then, prepare a plastic bowl that fits the size or shape of your face and cover it with plastic wrap.

  ​On top of that, create your own mask with your own creative ideas.

  ​In my case I made it like this: Because of the memory of covering my mouth and nose during the pandemic, my mask rather exposed this part. After drying the finished mask well, decorate or color it, and the whole process is complete. I will post the painting process after this mask is dry later.