Recent watercolor painting, Betta Dancing with another version!

Recent watercolor painting, Betta Dancing with another version!

The beauty of watercolor painting lies in its ability to channel the artist's energy. It goes beyond mere technique; it allows you to control how colors flow and interact, much like your internal energy. When I came to this realization, I felt liberated from the unexpected surprises that watercolor can bring. From that moment on, I became even more enamored with its charm. The unpredictability of watercolor mirrors the uncertainties of life, reminding me to remain humble whenever I paint. Ultimately, it’s not just me creating; it’s the spontaneous movement of the paint that I have to trust. As artists, we often have to release our preconceived notions. Strangely, when I approach a painting with the mindset that I must produce something perfect, it often ends up muddy and unappealing. Conversely, when I allow the paper, paint, and water to interact freely, I find that I can create a beautiful piece with surprisingly few brush strokes. Interestingly, in those instances, someone usually ends up purchasing the artwork. There have been occasions when I’ve thought a piece was painted too easily, but I recognize that those moments are rare. Therefore, when I paint with watercolor, I often rely on the serendipity that comes from above. While watercolor may appear simple, it is, in fact, quite challenging. I must let go of all the conventions, techniques, and stubbornness I hold. Instead, I focus on the freedom I seek through my art. I aspire to find healing in this process, to become a free spirit that soars unhindered. When I paint, the artwork reflects my truth, offering glimpses of a beautiful winter. I believe that this energy will resonate with anyone who views the painting. My latest piece, "Beta Dancing," is a monumental work that has opened up an entirely new world of watercolor painting for me. Through this painting, I was finally able to shed the lingering pressure I felt when creating.