Devon Rodriguez, who lives and works in New York, paints on the subway. Starting in 2020, he draws a stranger sitting across from him in a New York subway with realistic expressions, delivers it to a model, and records the reaction as a video and uploads it on TikTok. The post got 5 million views and 1000 followers went from 1000, and the second video posted the next day got 21 million views and 200,000 followers in an instant. The reason he debuted through TikTok was the pandemic. When he was isolated due to the pandemic, he recklessly took the subway to go out. And he made a short cut of strangers wearing masks and uploaded it through TikTok. People suffering from disconnection, fear and loneliness due to the pandemic were moved by the pictures conveyed through his video clips. Above all, the small sketch he handed over saying, “Excuse me, I drew you. The picture gets known and the video explodes in views. TikTok Artist Devon RodriguezHere's an interesting post on his Instagram. The portrait on the left was painted in 2010, and the one on the right was painted in 2015, five years later. What does this mean? I like both. However, I can feel his hard work, effort, and unstoppable passion for 5 years. I also love to see his instagram and tiktok reels. Because it gives another pleasure to see people who are happy to see the pictures in it. I think he is an artist who knows the true value and beauty of art. It is touching to see him not being isolated alone with his work, but living in the world by taking it to the streets and communicating with people by subway. I think the message he conveys itself is art. If he kept this mindset and did it with all his heart and not for fame, I think he would be a true artist. But sometimes, as an artist, I worry because these looks are so perfect. We look forward to seeing him continue to work with good intentions and influence. We look forward to seeing more of his wonderful activities in the future.
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Ivan Aivazovsky's art in < Ivan Aivazovsky - Ship in the Stormy Sea (1887) > is truly astonishingly powerful and engaging. The Russian artist's works masterfully capture the forces of nature and human inferiority and the interplay between the two. In particular, his sea and storm-related works are known to demonstrate his artistic clarity and expression of the inner world. Aivazovsky's works mainly depict ships being swept away in a storm. This is probably a symbol of nature's tremendous power, human helplessness, and fear of danger. However, it is not only serenity or danger in his paintings. Your observations of the roles and proportions of the sea and the sky are very precise, and seem to express the essence of his art. In his work, the sea and the sky harmonize beautifully with each other, and even transcend the roles of ships and humans, giving the feeling that the sea and sky represent the mystery and infinity of nature. In his paintings, the sea and sky often symbolize peak moments and unstable states, which can also represent uncertainty and change in our lives. Ivan Aivazovsky's work evokes our emotions through the beauty and power of nature, perhaps because he appreciates the connection between man and nature and seeks to express that interaction through his art. Through his paintings, we feel the infinite driving force of the sea and sky, and at the same time, we have the opportunity to think about our own existence and our role in it. Ivan Aivazovsky's SeascapeAmerican Quilt artist, Bisa ButlerBisa Butler is an artist who creates detailed quilts that look like paintings. Some art experts say her technicolor portraits of blacks are transforming the entire medium of quilt-making. Her first private museum exhibit is now on display in Chicago and was viewed by NPR's Cheryl Corley. Butler chooses his palette like a painter. Most of her palettes of her fabrics come from Ghana, her father's hometown or other African countries. A native of New Orleans, her mother grew up in Morocco. Erica Warren, associate curator of textiles at the Art Institute, said the museum has been collecting quilts since the early 20th century and has a collection of about 230 pieces. Warren says Butler's quilts resonate across the fields of painting, photography and textiles. The intricacy of the quilts — the billowy dresses for four little girls, the layered fabrics that make up a background — astonish many of the gallery visitors who pull out their cameras for pictures. Butler's artistry is part of a family tradition — a knowledge of textiles and clothing passed down from her mother and grandmother both accomplished seamstresses. Typically considered a craft, Butler agrees the art world is beginning to give quilting its due. I like what she said in a magazine interview below. SA: What do you want viewers to get out of your work? BB: [My work] is a document of what my life is like as a black woman and the way I see things. So I made this portrait to show others how black people see themselves. It's an insider's view of a community that isn't always paying attention, a community that's deliberately mischaracterized, lied to, or ignored. I hope my legacy tells the truth about the black community. She spends more than 200 hours per piece to create great works through precise, long-term research and hard work. Each color in her work has a meaning and has its own story. This is not a simple quilt or fabric art, but it feels like a life that is engraved by individual experiences. Her work is beautiful and powerful. The characters in her quilt work are stuffed in her grandmother's old photo album. However, she summoned the characters of her past to the present day with modern sensibility and three-dimensional color and texture. And then it seems to remind us again how beautiful, sophisticated and cool black people are. There are black people among my friends too. I actually don't like the division of colors into black, white and yellow like this. Because, as Bisa Butler said, we are just human beings. Her views on life and philosophy were engraved on fabric and appeared in public. I really want to visit an exhibition of her work someday. Look at nature, work independently, and solve your own problems. by Winslow Homer. Winslow Homer was born in 1836 in Boston, Massachusetts. He became interested in painting under the influence of his mother, who was an amateur watercolorist, and showed his talent for art early on. Homer began working as a freelance illustrator for Harper's Weekly in 1857 and remained active in this field for nearly 20 years. However, with his ambitions as a professional painter, he took evening lectures at the National Academy of Design in the United States, and he also learned painting from a painter named Frederic Rondel. When the Civil War broke out in 1861, he went to the front as a correspondent for Harper's Weekly and recorded battle scenes and the daily lives of Union soldiers in realism. His decisive work that brought Homer to the attention of the art world is 《Prisoners from the Front》 (1866). Based on the experience of the Civil War, this work was painted in oil, but like his other illustrations, it was highly praised for its restrained and bold composition that excluded sentimentality. This work was selected to be exhibited in the United States at the 1867 World's Fair held in Paris. With this as an opportunity, Homer, who went on a trip to Paris, came into contact with the works of modern French painters including Manet and Japanese prints. In the 1870s, Homer painted watercolors exploring the effect of bright, transparent paints. At the time, watercolors were recognized as just a preparatory painting by painters, but Homer was the first artist to exhibit watercolors as a finished work, and watercolors emerged as a major medium of art. He portrayed American life, especially the world of childhood, in a natural and realistic way. And for this, he moved away from city life to a remote coastal area where he could work in peace, painting outdoor landscapes. Indeed, when observing the works of master painters, there is often a fascinating paradox between the apparent ease of their brushstrokes and the profound depth and weight conveyed in their paintings. Masters possess a remarkable ability to create seemingly effortless compositions that captivate and resonate with viewers.
The ease and fluidity apparent in the brushstrokes of masterpieces can be attributed to the years of dedicated practice and honing of their craft. Through countless hours of study, experimentation, and refinement, these artists have developed exceptional technical skills and a deep understanding of their chosen medium. Their mastery allows them to execute complex techniques with apparent simplicity. However, behind the seemingly effortless strokes lies a profound level of thought, intention, and emotional depth. Masters possess an innate ability to distill their artistic vision into powerful visual statements, conveying a wealth of meaning and emotion in their work. Their paintings often carry multiple layers of symbolism, narrative, and personal expression, which contribute to their weight and resonance. The impact of a masterpiece goes beyond technical mastery and aesthetic appeal. It lies in the ability of the artist to communicate on a deeper level, eliciting a range of emotions and provoking contemplation in the viewer. The mastery of these artists enables them to create works that transcend the physical materials and strokes on the canvas, inviting us to delve into the intricacies of the human experience. When we stand before a masterpiece, we are in awe not only of the technical prowess but also of the profound effect it has on us. The combination of apparent ease and immense depth is what makes these works so captivating and awe-inspiring. They remind us of the power of art to evoke emotions, tell stories, and explore the complexities of the human condition. Master of landscape watercolors, Joseph ZbukvikJoseph Zbukvic is an internationally recognized watercolor artist known for his mastery of the medium, particularly in the genre of landscape painting. He was born in Croatia in 1952 and began his artistic journey at an early age. Zbukvic's works are characterized by their loose and expressive style, capturing the essence and atmosphere of the scenes he paints. Zbukvic has won numerous awards and accolades for his watercolor paintings and is highly regarded for his ability to create depth, luminosity, and vibrant color harmonies. He is known for his skillful use of wet-on-wet techniques, bold brushwork, and the incorporation of light and shadow to bring his landscapes to life. When I look at his paintings, I think that paper is not a device that absorbs medium, but like a travel guide that leads to another dimension. Many accomplished watercolor artists, including Zbukvic, possess the ability to create a sense of depth and atmosphere through their skilled brushwork and mastery of the medium. They can manipulate water and pigment on the paper to create beautiful textures, soft washes, and bold strokes that bring the artwork to life. Watercolor paper indeed plays a crucial role in the watercolor painting process. The choice of paper can affect how the pigments interact with the surface, the level of absorption, and the overall visual impact of the painting. Artists often experiment with different types of paper to find the one that best suits their preferred techniques and desired effects. Art has a way of evoking emotions, transporting us to different places, and allowing us to experience a unique perspective. |
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